VOLUME 01 — 2026
Construction becomes a language for design.
An independent contemporary fashion house. Familiar forms studied, taken apart and rebuilt as refined, wearable garments.
DOHA / BEIRUT
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Familiar forms, reconsidered through construction.
The house works from observation. Garments begin as questions about how something is held together — a seam, a fastening, a proportion — and are rebuilt until the answer becomes wearable.
Systems and process sit at the centre of the practice. Experimentation is not decoration; it is method. What remains is a refined garment carrying an unexpected detail.
Selected pieces from Volume 01
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Volume 01 — Look 04
QAR 2,500 Select options This product has multiple variants. The options may be chosen on the product page -
Volume 01 — Look 03
QAR 1,800 Select options This product has multiple variants. The options may be chosen on the product page -
Volume 01 — Look 02
QAR 1,800 Select options This product has multiple variants. The options may be chosen on the product page -
Volume 01 — Look 01
QAR 1,500 Select options This product has multiple variants. The options may be chosen on the product page
Between two cities.
A method, read as a sequence.
Observation
Looking at how garments are already worn, repaired and adapted before drawing anything.
Questioning
Asking why a form is fixed the way it is — and what happens if the logic is moved.
Construction
Cutting, pinning and rebuilding on the stand until structure carries the idea.
Experimentation
Testing proportion, seam placement and closure until an unexpected detail settles.
Refinement
Reducing until the garment is quiet, precise and wearable beyond the collection.
A short edit, chosen for construction.
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Volume 01 — Look 04
QAR 2,500 Select options This product has multiple variants. The options may be chosen on the product page -
Volume 01 — Look 03
QAR 1,800 Select options This product has multiple variants. The options may be chosen on the product page
The Lookbook
Abdulrahman Al Hamad
Working between Doha and Beirut, his practice moves between the two cities — one building quickly, one rebuilding constantly. Both inform how a garment is put together.
The perspective is close to making: observation first, then construction, then the patience to remove whatever the garment does not need.
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